Das Fremde In Mir Emily Atef
With her 2008 award-winning movie, Das Fremde in mir, filmmaker Emily Atef tackled one of society's near hush-hush issues – post-natal depression.
A surreal drama about a adult female suffering from post-natal low, Emily Atef's Das Fremde in mir (The Stranger in Me) counters the glorified trope of motherly love. Afterwards the joyful apprehension of the nativity of their showtime child, Rebecca (Susanne Wolff) and Julian (Johann von Bülow) face up an unexpected development as Rebecca finds herself incapable of responding to her salubrious baby and falls into a dark cloud of restlessness and fear. Atef's unpretentious approach towards the result, a carefully structured script of thematic depth and effortless performance by Wolff come up together to provide a convincing and empathetic presentation of a situation that remains largely misunderstood. In collaboration with realeyz.tv, on January 26, 8:30pm at Lichtblick Kino, Exberliner welcomes you to the flick with English subtitles, post-screening Q&A and our customary complimentary refreshments.
Your film deals with mail-natal depression, a topic not often discussed. Why did you lot choose to take information technology on?
I came up with the thought forth with my co-writer Esther Bernstorff. Women are expected to be happy and thankful later on delivering a healthy baby, but that is not always the case. Even if they desire to, they can't say that they wish they didn't accept a baby. Even later a hard birth, a woman cannot say, "Oh! I feel like shit!" But you speak to whatsoever mother without judging them for a minute, and then the real truth comes out. As we started our enquiry, we were shocked to find out that 10-twenty percentage of women endure from postpartum low in Germany alone. Some of them don't even get diagnosed; some manage to get meliorate over the months on their own and some need psychiatric assistance.
In your research did you have contiguous contact with woman suffering from PND?
Women were mostly not willing to run across as they were afraid of beingness judged just we were lucky to observe a wonderful psychiatrist who helped us with realistic enquiry and cases. She specialises in the bond of mother and child in Berlin and has helped a lot of women who were already in a suicidal state when they establish her. However, after the completion of the film, a lot of women came out to talk openly and share their personal stories.
At that place is a sense of silence throughout the film.
The silence was extremely important to the film as the protagonist is lonely near of the time and is suffering a sickness that has no words. The societal pressure, the feeling of breach and the blurry sickness lead to an undying silence, where the adult female feels similar a stranger non just to the baby but to herself.
The film explores the problem in an extremely subtle and realistic mode and yet manages to take an impactful ending, one that feels positive. Was that the plan since the very start?
Nosotros knew since the beginning that we wanted to terminate the picture show with hope. Our research with the psychiatrist showed 100 percent positive patient results, and that is what we wanted to show in the film. While it is truthful that women go through postal service-natal low, it is every bit true that they can and do come up out of it. Some things about the story did alter over the form of the two-twelvemonth research, just about of it we knew from the start.
Y'all've mentioned that you e'er want your films to attain an international audition.
Das Fremde in mir is my only film that is shot in Germany with German actors speaking in German alone. Even so, information technology was extremely successful globally considering the theme is universal, one that lot of people tin chronicle to. Not just the women but their husbands, friends and families, who suffer directly or indirectly with them. A few things change with geographical boundaries, only the basic idea remains the same.
Source: https://www.exberliner.com/film/exblicks-das-fremde-im-mir/
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